John Benson, despite being un-recorded by Baillie,
was a remarkably talented clockmaker about whom a considerable amount
has been written. Brian Loomes produced a very interesting article on
him in "Clocks" Vol. 21 No 6 1998, pages 12 – 14 where he
illustrates four examples of his work and John Penfold devotes
considerable space to him in "Cumbrian Clockmakers", noting
that he has seen some 12 examples of his work, all longcases. The most
interesting was a quarter chiming and musical clock playing 13 different
tunes, which is described by Alan Lloyd in his "Chats on Old
Clocks".
In his book, Penfold quotes an advertisement of John
Benson’s which appeared in the Cumberland Paquet of October 22nd
1782 and the first part is reproduced here: -
"John Benson (who makes all sorts of Plain,
Repeating, Musical and Astronomical Clocks at Reasonable Prices begs
leave to return his most sincere thanks to his friends……….."
From this it is clear that he made astronomical
clocks but up until the discovery of this one none has been recorded.
The clockmakers of Cumbria and in particular
Cockermouth and Whitehaven seem to have specialised in and evolved their
own astronomical clocks as their designs all bear a marked similarity.
In British Longcase Clocks by Derek Roberts pages 89 – 92 these are
discussed and the work of three of them recorded. The main difference
between these and our clock is that whereas they all appeared to employ
a local clock case maker, this case and also the four illustrated by
Loomes were almost certainly made by Gillows of Lancaster; being very
similar to those contained in his pattern book and would in those days
have cost £4 - £5, a relatively large sum. One further point of
difference is the addition of a most attractive aperture showing the
state of the tides in the lower half of the dial.
This has a relatively wide border, probably to fit
Gillows clock case and suit the layout of the astronomical work, and is
some 14" x 20½". Within and below the arch is a large ring
9" in diameter which intersects the chapter ring. The outside of
this is engraved on the left 41 30 20 10 E 10 20 30 41 and above
this S : Amplitude Ortive, ie the suns amplitude rising. At the top it
is engraved Meridies (the Meridian) and on the right S :
Amplitude Occa, ie the suns amplitude falling or setting, graduated 41
30 20 10 W 10 20 30 41.
The inside of the ring is engraved IIII – X11 –
VIII to indicate solar time. Inside this ring a representation of the
sun rotates against a painted scene with clouds. It always rises and
sets at the correct time because of star-studded shutters which rise and
fall throughout the year.
Attached to these are pointers which indicate on this
outer ring the times of sunrise and sunset, and the suns elevation at
mid-day from which can be determined the equinoxes and solstices.
The other end of the pointer, attached to the left
shutter, indicates on the inner ring the time of daybreak and the suns
declination north or south of the equator whilst the inner pointer on
the right shutters tells you the time of twilight and the suns place or
position in the zodiac.
In the centre of the arch is a disc carrying the
maker’s name and town with a moon engraved on it.
The dial has rococo spandrels
and a raised chapter ring with Roman numerals and attractive half-hour
marks. A centre sweep hand is used to indicate the day of the month.
Extending down either side of
the dial centre are two well engraved dolphins on one of which is
engraved Flowin and the other Ebbin. Between these in the lower half of
the dial centre is a relatively large cut-out behind which a disc
rotates with the state of the tides displayed on its border and within
this four attractive scenes are painted, two of the seashore and two of
ships.
The mahogany case has a
swan-neck pediment with an eagle in the centre resting on a block. There
are fluted columns with giltwood capitals to either side of the hood and
matching quarter columns to the trunk and base which is panelled and
employs book-matched veneers and rests on substantial bracket feet.
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